THE DAY AFTER TOMORROW

I particularly like hands because they are what produce my gestures and trigger the camera.
Without using any digital retouching, I stage the cutout shape of my left hand and superimpose it on my right hand. My hand wears a kind of mask, a photographic mark.
Two moments are then photographed in one. This work echoes my need to stage photography. To also look at it as an object that becomes a body in space.